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	<title>The Beaten Generation</title>
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	<description>A running commentary about writing a dissertation and listening to music</description>
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		<title>The Beaten Generation</title>
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		<title>Bangkok and the Rock Music Imaginary of Sek Loso</title>
		<link>http://beatengeneration.wordpress.com/2012/01/11/in-the-middle-o-2/</link>
		<comments>http://beatengeneration.wordpress.com/2012/01/11/in-the-middle-o-2/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 03:40:49 +0000</pubDate>
		<dc:creator>beatengeneration</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[noah viernes]]></category>
		<category><![CDATA[popular culture]]></category>
		<category><![CDATA[sek loso]]></category>
		<category><![CDATA[thai music]]></category>
		<category><![CDATA[thai rock]]></category>

		<guid isPermaLink="false">http://beatengeneration.wordpress.com/2012/01/11/in-the-middle-o-2/</guid>
		<description><![CDATA[In the middle of December 2011, I met with an old writer friend and Bangkok musician named Piyachat Jongtong. Being a talented musician himself, his first question was whether I’d heard the recent news about Sek Loso (Seksan Sukpimai). Sek was the influential front man of the legendary Thai rock band LOSO, and exists in &#8230;<p><a href="http://beatengeneration.wordpress.com/2012/01/11/in-the-middle-o-2/" class="more-link">Read More</a></p><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=beatengeneration.wordpress.com&amp;blog=4567133&amp;post=440&amp;subd=beatengeneration&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>film journal: screen culture and David Lynch</title>
		<link>http://beatengeneration.wordpress.com/2011/09/20/film-journal-screen-culture-and-david-lynch/</link>
		<comments>http://beatengeneration.wordpress.com/2011/09/20/film-journal-screen-culture-and-david-lynch/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 02:58:42 +0000</pubDate>
		<dc:creator>beatengeneration</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://beatengeneration.wordpress.com/?p=346</guid>
		<description><![CDATA[David Lynch’s film Inland Empire, which I had first viewed in the theater back in 2006, seems to argue for a certain kind of death for film. Utilizing digital video and hundreds of takes captured between Poland and Los Angeles over two years, the “film work” seeks out new possibilities for contemporary screen culture. The &#8230;<p><a href="http://beatengeneration.wordpress.com/2011/09/20/film-journal-screen-culture-and-david-lynch/" class="more-link">Read More</a></p><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=beatengeneration.wordpress.com&amp;blog=4567133&amp;post=346&amp;subd=beatengeneration&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>film journal: St. Elmo&#8217;s Fire (1985)</title>
		<link>http://beatengeneration.wordpress.com/2011/09/18/film-journal-st-elmos-fire-1985/</link>
		<comments>http://beatengeneration.wordpress.com/2011/09/18/film-journal-st-elmos-fire-1985/#comments</comments>
		<pubDate>Sun, 18 Sep 2011 23:12:59 +0000</pubDate>
		<dc:creator>beatengeneration</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://beatengeneration.wordpress.com/?p=334</guid>
		<description><![CDATA[St. Elmo’s Fire (1985) visualizes a postmodern critique of the familial and progressive aspects of the American dream. The characters are all recent Georgetown University graduates attempting to articulate new avenues of individualism after college. Here are some key dialogue moments: Kirby: “Haven’t you ever heard of the sexual revolution?” Kevin: “Who won, huh? Nobody. &#8230;<p><a href="http://beatengeneration.wordpress.com/2011/09/18/film-journal-st-elmos-fire-1985/" class="more-link">Read More</a></p><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=beatengeneration.wordpress.com&amp;blog=4567133&amp;post=334&amp;subd=beatengeneration&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>The Noise of the Marketplace</title>
		<link>http://beatengeneration.wordpress.com/2010/11/07/319/</link>
		<comments>http://beatengeneration.wordpress.com/2010/11/07/319/#comments</comments>
		<pubDate>Sun, 07 Nov 2010 21:13:20 +0000</pubDate>
		<dc:creator>beatengeneration</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[cinematic heterotopia]]></category>
		<category><![CDATA[Lynn A. Higgins]]></category>
		<category><![CDATA[Mary Ann Doane]]></category>
		<category><![CDATA[victor burgin]]></category>

		<guid isPermaLink="false">http://beatengeneration.wordpress.com/?p=319</guid>
		<description><![CDATA[Victor Burgin’s “The Noise of the Marketplace,” the opening chapter to The Remembered Film (2004) falls somewhere between Michel Foucault’s work on the ‘heteotopia’, Roland Barthes observation of everyday sounds, and a psychoanalytic emphasis on film fragments. In Burgin&#8217;s &#8220;cinematic&#8221; heterotopia, images are delayed and replayed, stored and advertised, and sometimes substituted for actual images &#8230;<p><a href="http://beatengeneration.wordpress.com/2010/11/07/319/" class="more-link">Read More</a></p><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=beatengeneration.wordpress.com&amp;blog=4567133&amp;post=319&amp;subd=beatengeneration&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">beatengeneration</media:title>
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		<title>The Tuning of the World</title>
		<link>http://beatengeneration.wordpress.com/2010/08/20/the-tuning-of-the-world/</link>
		<comments>http://beatengeneration.wordpress.com/2010/08/20/the-tuning-of-the-world/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 01:57:50 +0000</pubDate>
		<dc:creator>beatengeneration</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[cinematic]]></category>
		<category><![CDATA[r. murray schafer]]></category>
		<category><![CDATA[santi taepanich]]></category>
		<category><![CDATA[schizophonia]]></category>
		<category><![CDATA[soundscapes thai literature]]></category>
		<category><![CDATA[the tuning of the world]]></category>

		<guid isPermaLink="false">http://beatengeneration.wordpress.com/?p=307</guid>
		<description><![CDATA[R. Murray Schafer’s classic The Tuning of the World: Toward a theory of Soundscape Design (1977): The approximate size of the city used to be imagined with relation to how far a voice could be distanced from its source. In Plato’s Republic, Schafer notes, the city is imagined in small numbers (5,040 people) to maximize &#8230;<p><a href="http://beatengeneration.wordpress.com/2010/08/20/the-tuning-of-the-world/" class="more-link">Read More</a></p><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=beatengeneration.wordpress.com&amp;blog=4567133&amp;post=307&amp;subd=beatengeneration&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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